Words by Andrew Field
On Saturday 30th June Mastiff went into the studio to commence work on the follow up to 2017’s “BORK” EP. I’d been given glimpses of the new material by the band in the form of phone recordings sent to me via WhatsApp, so already knew I was likely to be handed something fairly nasty to release once recording was done. There had also been talk about maybe taking a bit longer over this one. I was led to believe that the end-of-June weekend was just the start.
Mastiff entered the studios around 9.45am on that 30th June day. At 4.11pm I got a message from Jim Hodge saying “80% done boss man”. At 4.17pm Phil Johnson messaged saying “tracks pretty much overdubbed”.
On Monday 2nd July at 6.57am they sent me the fully mixed and mastered album. It sounded absolutely fucking incredible.
That’s Mastiff right there. A fully formed, prepped, focused, disciplined machine.
So how does it sound? Frankly, like the end of the world. Eight tracks of pure nihilistic rage. Everything is amplified (sic): the slower bits are gnarlier, the faster bits grind harder, Michael Shepherd’s blast beats hurt your bowels more, Dan Dolby’s bass is right there in your face, and Jim Hodge’s vocals go to another world – somewhere primal, beyond feral, way past animalistic. And as for the twin guitar attack of Jam Lee and Phil Johnson…… well, rarely have I heard amps and cabs punished quite so brutally. They make Eyehategod sound like A-ha.
There is a track on the album called Until I Weep No More. It is going to be the heaviest thing I have released on APF so far. It is skull-crushing.
The current plan is to drop this bombshell on you in early 2019. Trust me when I tell you, it will be worth the wait.